Actor Emilio Orciollo Netto leads workshop for AfroReggae’s acting students, sharing market insights and boosting diversity in audiovisual.
Workshop with Arcanjo Renegado star
The AfroReggae Cultural Group held another special session of its Acting Training Course for Audiovisual in Rio de Janeiro. This edition featured actor Emilio Orciollo Netto, one of the standouts of the hit series “Arcanjo Renegado”.
The production has reached high audiences and broken records on streaming platforms. In this context, Emilio’s presence gave students direct contact with current demands in the audiovisual market.
The artist led an open acting class focused on scene work and professional exchange. He also answered questions and discussed the realities of building a long-term acting career.
Three-decade career and versatility on stage and screen
With more than three decades of career, Emilio Orciollo Netto is recognized for his work in theater, cinema and television. He began his artistic path in São Paulo, performing in amateur theater.
Over the years, he has taken part in several high-profile national productions. In audiovisual, he has built a reputation as a versatile actor, moving between dramatic and contemporary roles.
His performance in “Arcanjo Renegado” further expanded his visibility on digital platforms. As a result, he is today one of the most prominent names in Brazil’s current audiovisual scene.
During the workshop, Emilio shared up-to-date perspectives on industry practices. He spoke about creative processes, preparation routines and the realities of working across formats.
Character building, set dynamics and listening skills
The meeting took place at the Waly Salomão Digital Culture Center – e-Waly, in Vigário Geral. The venue is one of AfroReggae’s main hubs for audiovisual training.
Throughout the class, the actor discussed character development, technical preparation and stage and camera listening. He emphasized the importance of paying attention to partners and direction on set.
Emilio also shared experiences from his work on film and TV sets. Afterwards, he led practical exercises, encouraging students to explore different approaches and presence on camera.
The activities created a bridge between theory and practice, in a direct and inspiring exchange. Participants were able to test techniques, receive feedback and better understand day-to-day production dynamics.
Training peripheral youth for the audiovisual industry
The workshop is part of a broader set of training activities within AfroReggae’s acting course. The main goal is to prepare new artists from peripheral areas for insertion into the audiovisual market.
The program covers TV, cinema and streaming platforms, expanding professional possibilities. In doing so, it helps increase on-screen diversity and strengthen representation in the sector.
Bringing in active industry professionals is a strategic pillar of the methodology. This approach connects students with real market practices and broadens their artistic and technical repertoire.
“The presence of artists such as Emilio Orciollo Netto reinforces AfroReggae’s mission to create real pathways for young people from peripheral regions to occupy their space in audiovisual. Each meeting like this broadens horizons, strengthens trajectories and reaffirms the importance of policies and initiatives that promote on-screen diversity. Our commitment is to train talent and open doors — and seeing this exchange happen at e-Waly is proof that we are on the right track.” — Karla Soares, AfroReggae Social Director
Course strengthens creative economy and opportunities
Created by AfroReggae, the course offers broad training focused on acting for audiovisual. The curriculum includes acting, movement, voice, camera work, script reading, practice labs and workshops with guest artists and technicians.
The initiative is part of the Annual Program of the Waly Salomão Digital Culture Center. It is sponsored by Guaraná Antarctica through the Rio de Janeiro State Culture Incentive Law.
The project reinforces AfroReggae’s commitment to strengthening the creative economy. At the same time, it expands concrete opportunities for young people from favelas and peripheral communities seeking careers in audiovisual.
